Sunday, April 23, 2017

Wild Card


Recently, I was browsing the internet for suggestions on the best horror films of 2016. I came across a list on Thrillist, and began scrolling with a lack of enthusiasm. Horror films just aren't what they used to be-too much reliance on jump scares and too much lack of plot. But that doesn't mean I've lost complete interest in the genre. I'm always on the lookout for the best deviation from modern-horror, and that most often results in me watching the most deviant, disturbing of films. You know, those hush-hush films Reddit users make lists for? I'm unsure if I'm a hypocrite because of this. Disturbing doesn't necessarily merit a relevant plot. I've run across a few films in my life that done so to perfection, A Clockwork Orange being my favorite of which to-date. So, while I'm intrigued by the lengths to which some films go, I can't call it a 'good film' unless it tells a great story. And this is exactly the hope I had when I stopped on No. 16: I Am Not a Serial Killer.


I don't read. I'm too picky. I haven't given my time to many books since the 6th grade, when I read insatiably. During junior-high, I gained a friend who wrote her own stories. I became so accustomed to her style as the years progressed, that I've become way too spoiled and far too picky about each and every book I pick up. The prose is often too corny and the story too predictable. It's as plain and simple as that. This is no surprise, as I feel the same with all media. However, when I stumbled across this film, I got that special feeling. This was right up my alley. 

So, I watched the trailer and did some research on the film. There was a book. It came as a shock to me that I had the urge to read the book first, as I had also discovered this about A Clockwork Orange, and couldn't get through the book before the desire to see the film wore me down. Then again, that's a Stanley Kubrick film with a history of controversy. There was no waiting two years for me to read it, like Harry Potter and the Goblet of Fire. I never finished that series, sshhhh! But I appreciate the ability to tell a story with words. I've dabbled in it myself. I've seen too many books become watered-down movies. There's an exception for television series, however. The first season of Hemlock Grove is a perfect example of a book-to-screen adaptation going right, as far as staying true to the book goes. Television is a superb format, as a story doesn't have to be squeezed into the accustom 90-minute time limit. Ergo, like any smart consumer would, I read the preview on Google Books first, and I was immediately sold.

What can you expect from I Am Not a Serial Killer, book one in Dan Wells series about John Cleaver? I was expecting a straight-forward story about a young teen and his mental instability. I'm not fully convinced that isn't just what this is, but let's get into the story. Like Dexter Morgan, the all too ironically named John Wayne Cleaver suspects he's a sociopath, and has set rules for himself so he doesn't cross the line into Ted Bundy-dom. He keeps himself in check by working in the family mortuary, where his mother eventually decides he shouldn't be. Killings erupt in the small Midwestern town of Clayton, and John goes on the hunt despite his therapist's warnings. The twist comes early, but at the perfect time; allowing John too slowly begin breaking his rules. The meat of the book is about the 15-year-old's decent into what he calls Mr. Monster. He stalks the killer carefully, cleverly, yet relentlessly.  He justifies his actions by championing himself on the act of taking down the Clayton Killer. The first-person view point allows the reader to sympathize with John's thought pattern, duping you into backing both his intelligent and rash decisions. It's a story dedicated to the inner workings of a true sociopath, making you question if the resolution is really a resolution at all. That's the beauty of it. While the plot of book one ends, John Cleaver's story remains open-ended. 



Billy O'Brien's film portrays John in a skewed light. Admittedly, I had Rory Culkin in my head from Chapter One, sentence one, word one. Shout out to Rory Culkin for being an amazing psycho. Go see Jack Goes Home if you don't believe a Culkin can have talent past childhood. But despite not being Rory, the actor chosen to portray Jack did a fantastic job, Max Records. He nailed the look and attitude of John Cleaver. In fact, the entire cast was outstanding, especially Christopher Lloyd, but when is he not fantastic? Though aesthetics are minor in comparison to the storytelling, I've always had an issue with them. I was thrilled the film was spot-on in this aspect. John's character was the largest downfall to the entire film. In short, the book was centered on John. The movie is centered around events. Watch the trailer below, then let me tell you why this drastically shifts the viewer's perspective of the story, therefore changing the story altogether.



The film left out and skimmed over some of John's key choices and actions that were vital to understanding his character. As I said, the story is all about his battle with sociopathy. Author Dan Wells opens his book by saying how obsessed he was with serial killers, so the book focuses on John's internal battle. The film seems to focus on his battle with the killer as opposed to that with himself, and this might be because of a lack of emphasis on John's perspective. Choosing not to have the film narrated by the character himself seems to be a huge drawback. It takes the focus off John and put's it on the happenings, which isn't how the book is focused at all. 


A perfect example of first-person narration would be the television series Dexter, because the idea behind that series is very similar to the one of this book/film. Also, A Clockwork Orange, yes I'm still harping on it, is the epitome of perfection when speaking of narrated films. I Am Not a Serial Killer could have utilized this technique to retain the atmosphere of the book, a completely biased narrative. Because the film disconnects so much from John's perspective, all of John's best moments are severely underplayed. He becomes something of an annoying, narcissistic teen in these moments where his true monster is supposed to shine. The most intriguing parts of the book were when John let Mr. Monster out to play. The film just couldn't grasp how to portray this, and so these moments felt flat and pretentious. The following scene gave me chills in the book, as John was beginning to break his rules-to unleash his monster. In the film, however, it did quite the opposite. It made me cringe.



I Am Not a Serial Killer is an independent film, which are the types of films I find to be truly focusing on the art of storytelling. Indie films aren't trying to sell you anything but the story itself. If you're like me, this allows you to look beyond the aesthetics (as these films might not have large budgets) and forces you to appreciate the story itself. Because you can't be blown away by CGI or drawn in by Hollywood "talent," the filmmakers must tell a great story to be recognized. While this film fell short of the story being told in the book, it did a great job of telling a different kind of story. I was disappointed with the atmosphere the director chose to promote,but I appreciated the story being just as thrilling and unpredictable as that of the book. 

Monday, April 17, 2017

Classmate Blog Critique



There are so many intriguing aspects of Justice Seymour's blog that I was unsure how to cover them all. I felt I could only compile them in a list that encompasses the top 3 which enticed me. I will supplement with highlights from his blog posts. Before I get to that, let me preface and summarize by saying that if you like snark and if you like to laugh, this might be the blog for you. Justice manages to use the following three features to give you an unfettered look at the way he views each assigned topic. Lastly, I want to mention that The Attack on Titan post was my favorite and will appear in many examples. Even if you've never seen the show, the review is certainly worth the read. Click the link above to visit his blog.

1. INTERACTIVITY
If you scroll through the blog, first thing you might notice is the quantity of orange text. Yes, those are hyperlinks. I found myself hoping Professor Reppert would click each and every one, as I was curious what would be lurking in the next tab. If you so choose to click through, you'll find not only pertinent sources, but also supplements to the subject itself. Though the hyperlinks are oftentimes humorous, they serve to verse the reader in the subject at hand-exactly how he sees it. It's a supplement to both the writing, the opinion and the message behind it. Click the following links to get a taste.

International Media (Attack on Titan):
Essentially, Eren and his friends join the military or police or whatever. This police force is meant to fight any and all Titans that come a knocking at their pre-Trump border walls, and it's been Eren's dream to join the force since he was a kid. (Which is only fueled more when a Titan eats his mother. I said spoilers.)


He is a little kid who hates these things called Titans (think of the zombies from The Walking Dead, but really big and naked. But don't worry, they don't have genitals.)


Social Media (Facebook):
Facebook wasn't the most special thing back in it's heyday. You just look at your friends post about their day or their ideas or just boring, run of the mill, life stuff and it was all well and good. (Granted, I started my Facebook in middle school, and middleschoolers don't have many things going on other than "I just beat that level in Resident Evil 4!" or some mundane thing like that.) 


Television Review (A Series of Unfortunate Events)
The theme song, which (slightly) changes every 2 episodes, pokes good fun with the original warnings that scared me from reading the books as the child, constantly bellowing “Look away! Look away!”

2. HUMOR
Humor. It's just downright humorous, and that's that. From topic selection to prose, links and media, there is a definite tone: sarcasm. I thoroughly enjoy sarcasm. I especially enjoy it when teamed with witty and sometimes deadpan humor. While reading, you might think "Was that meant to be insulting?" The answer is likely, yes. I mean, he chose to do a review of Supernatural strictly because he hated it! Justice thwarts his opinion in a humorous way which makes the writing both engaging and insightful. I enjoyed Attack on Titan, but reading his review made me rethink the show entirely. Was it needlessly violent? Maybe. Was there too much shouting? Possibly. Was the main character a whine-bag? Yes. A plus to using humor to communicate an opinion is that it makes the content relatable. I totally agree with him on those points, but did that change my opinion about the show? No! I laugh because I know what he says is logical and true. 

International Media (Attack on Titan) -My favorite example:
Speaking of screaming, I hate it in this show. There was one FULL EPISODE full of nothing but debate and screaming. The whole time it's Armin telling the rest of the police force that Eren isn't going to betray them and that he can be used to their advantage. This would have made a decent court scene or even just a talk in a room. But no, it is in some town square and the Commander and Armin are yelling at each other from like 100 feet away and they just have a 25 minute debate the whole time. That episode felt like a waste of my life force. 

So scared in fact that, when a Titan goes up to Armin to kill him, he is paralyzed by fear and Eren comes in to save the day only to get chomped down by a Santa Claus looking mofo.

Social Media (Facebook):
Twitter is my favorite of all social media sites because, if someone is going to say something incredibly stupid, it is at least 140 characters or less. 

Movie Review (Swiss Army Man): 
I heard of the film was when it went to the Sundance Film Festival and large amounts of people walked out of the film due to a corpse farting, non stop, in the film (the corpse being played by Harry Potter himself.) After hearing this news, I decided I would check out the trailer, and I was very much intrigued.

Pop Culture (Supernatural):
It's terrible! It's trash! The show constantly goes back and forth from one brother sacrificing himself to save the other over and over again and, in the meantime, they fight a new threat every week/season. The show is wash, rinse, repeat at its core. Which would be fine, if the fans of the show didn't treat it like the best thing ever.

While I was excited for the finale of Breaking Bad, everyone else was trading seasons 1-5000 with each other at school. 

3. PASSIONATE OPINION
As I said, he uses humor to present his opinion in a sarcastic yet engaging manner. He can say "I hate it," in a million different ways. For example, he includes anecdotes which often surround himself and brother to set the stage for his opinion. The tales are often humorous, entailing the following scenario: "I'm going to hate this though my brother says I won't. Yep, I hated it." By doing so, I don't believe Justice is simply trying to be funny. He seems to be very passionate about the topics he writes and has a passionate opinion to communicate. I can't say I don't love that it's often a negative opinion. Sarcasm and wit just seem to be his forte. The blog itself is very well written though it manages to hold onto the aforementioned traits. It's unfettered in the best way. 

International Media (Attack on Titan): 
When I came home from college last summer, my brother wanted to show me the television show Attack on Titan. I told him that I didn't want to watch it because I don't like anime. To be fair, I had my brother watch The Leftovers when I came back for Christmas break, and it took him a little bit of time to get into it (but, by god, he DID get into it.) I told my brother that I didn't like many anime today because they are too serious, needlessly violent, and they yell a lot. He just looked at me and said:

JACOB: But Justice! This one is really good! 

He would deny it if I said this, but I definitely didn't try to hate it when I started it. I tried to have the openedest of open minds, and guess what? I hated it. OHHHHH Did I hate it so! It was literally everything I hated about anime!

Did you read that right? Eren DIES! I was mad that he died at the time only because I figured he'd stay dead and this show wasted my time trying to make me care about such an a**hole character that wasn't even going to be in the rest of the show, but the show got better with his absence!

I don't want to see it because I hate it, but, if my brother does have me watch it, hopefully it will get better.

Social Media (Facebook):
 I'm all for giving everyone a voice and allowing to be heard but did we really need to know that you were #feelinglikemyself when you got your #starbucks and that you are getting #whitegirlwasted tonight with you and your buddies all posed with a raging #nonoword ton of puppy dog, black and white sepia filters? (You don't look cute. You look like a domesticated animal....literally). Are your thoughts about the clickbaity title of an article (because you were "too busy" to read the actual article itself) really so important that you have to share it to everyone?

I don't care about most people's lives on social media and I don't really care about the things they share (they can SOMETIMES be funny (but it usually isn't.))

Pop Culture (Supernatural):
Let me start out by saying that I very much dislike Supernatural. I kind of hate it. Why? Because it's boring television!

After a full paragraph of how much I hated Supernatural and have much disdain for it's fandom, let me now talk about how everyone in my family absolutely loves this show.

Television Review (A Series of Unfortunate Events)
   It’s no secret that I am a fan of “sad” TV. When my brother is in a mood, he likes to watch short comedy movies or shows just so he can not pay attention and have the occasional laugh. I do the opposite twice. When I’m happy, I watch sad stuff. When I’m sad, I watch sad(der) stuff. I don’t know why that is, maybe I like to feel my emotions when I’m sad or maybe I like to look at sad people and think “, Thank God I’m not like them!” Whatever the case may be, I LOVE sad TV.

Monday, April 10, 2017

International Media


Music and film are mediums capable of transcending both language and cultural barriers. Combine the two and what do you get? Possibly the best thing to ever grace the silver screen, that's what. So, it doesn't matter if you're German, Russian, American or from a galaxy far, far away, you've probably heard of Rammstein: the German metal band best known for their extraordinary stage theatrics. A typical show combines gore, sexual imagery, pyrotechnics and music in a way only the most dedicated deviants can truly appreciate. Even if you're not a fan, it's likely impossible to look away when the sextet takes the stage-albeit in person or on screen. 

Naturally, it was only a matter of time before such an iconic band and their performance antics were committed to film. Rammstein in Amerika (2015) is one of the most notable endeavors by Austrian director Hannes Rossacher, preceeded by Rammstein: Live aus Berlin (2001) and Rammstein: Volkerball (2006). The 2015 documentary received more attention and hype as it highlighted the band's first US show in over 10 years. The documentary also included vintage footage as well as the making of the album being promoted: Liebe Ist Fur Alle Da. It was kind of a big deal to fans in the states. The 2010 show documented at Madison Square Garden sold out 20,000 seats in under 20 minutes! This is no surprise as Rammstein has accrued 35 million in record sales around the world. 


Rammstein: Paris is a new endeavor that was taken on by Swedish director Jonas Akerlund, best known for his cinematic music videos-which is also a staple for the band. For this film, two 2012 shows at the Bercy Arena in Paris were captured by 30 cameras in attempt to bring the shock and awe directly to screens all around the world. "It is a masterpiece of music cinema that captures the energy of Rammstein in a unique visual and sonic experience," according to the film's website, and "sets a new standard for concert films." Rammstein: Paris isn't just capturing the live performance, it set out to capture the theatrical element in the way it was always meant to be seen, cinematically, and apparently done so with great success. The film debuted in Europe on March 23, 2017, and saw box-office sales just over $1 million.

The top-performing territories for Trafalgar Releasing were Russia, Latin America and Poland, helping to achieve over $1 million for the outfit. NFP's territories saw a grossing of almost $1.2 million across two screening dates, coming in second on Germany's weekend box office.           

The film is due for world-wide release on May 19, and I can assure you that I will be anticipating it almost as much as my college graduation two weeks prior. I've been a fan for almost 10 years but never had the chance to see them in all their glory. Akerlund's film seems to have successfully captured it as best as theoretically possible for audiences who were unfortunate enough to miss the live experience (like me). As a filmmaker and editor myself, I am in total awe at the feats accomplished and highlighted in the teasers and trailers. I can only imagine what the editing process must have been like! Wrapped in March 2012, the film is premiered exactly five years later. Check out the DVD/Pre-order trailer below: 


Rammstein are 21 years into their musical career with an unchanged lineup and 6 studio-albums-another in the works. Though the members are 40-50+, it doesn't appear they'll be slowing down anytime soon-which highly pleases fans like me. But just for good measure, if you aren't Rammstein-fluent, this list by Team Rock is a nice commentary: 5 Things We Learned About the Rammstein: Paris Movie. Goodman highlights aspects about the band such as, "[Lead Singer] Till Lindemann is terrifying," and "They're just as incredible on screen." Yes, both are undeniably true as is apparent to anyone exposed to the band. In the same breath, it's also undeniable that no musical act comes close, on and off stage, to the German band continuing to make waves around the world. For teasers, trailers and more: Rammstein YouTube Channel

Monday, April 3, 2017

Social Media


“If you are the parent of teenagers, here are three words that may make you shudder: social media camp,” says Rory Carroll of The Guardian. Well, Mr. Carroll, I’m a 24-year-old college student with no children and those three words make me cringe pretty hard. But I’ve always been out of touch with the self-absorbed ways of social media. I have friends and family, both younger and older, who indulge in the instantly gratifying ways of Facebook, Instagram, Twitter, what have you. I won’t deny having my own accounts, but my presence is all but stable. I barely put in the time to answer text messages, much less take and send a photo or video to arrive at the same point. Who cares what I’m eating, how my day went or what I’m feeling at one specific moment. Honestly, I don’t even care.


Okay, I'll accept that I'm not in-tune with the youth of today. I just don't care about they lay-person's life. And therein lies the key, lay-person. I'll admit to following my favorite actors, musicians, and Youtubers. Such persons provide me with a reason to care. And that's just what Nichelle Rodriguez’s SocialStar Creator Camp has set out to do: make the internet care about teens (as young as 13) who have hobbies. It's more than just a camp for teens who desire to be vain and popular. With an ironic slogan like, “In our social media world, we often forget the importance of interacting in a live face-to-face setting,” SocialStar Creator Camp promises attendees a “stronger viral influence.”


Rodriguez claims her camp is “a business incubator [because] the sole purpose is monetizing and learning the business.” Tuition will run teens $2,690 for a nine-day fiasco of “tours, technical workshops, instruction from established social media influencers and advice from companies seeking talent to promote corporate brands,” however, if attendees need a ride from the airport, desire a camp t-shirt, or perhaps want an extra meal, that’ll cost extra.

Social media camp seems almost as redundant as socks when paired with flip flops. I was not aware millennials needed training on how to use, utilize or extort themselves on social media. I was convinced technology, and social media, were a second nature for them. That’s not what December Ensminger (left) told The Guardian, though. Social Media didn’t become a serious outlet for her until 14. “I was a late bloomer,” said December, now 18, also wishes to “market [herself] and figure out [her] own image.” If you need strangers to help you define your image, I’d say you’re a long way from figuring out your “image,” December.



The social media stars I follow found success on social media because of their personalities, not vice-versa: Pewdiepie, Grav3yardgirl, Brandon Rogers, Ryan Doka. Maybe it's a little hyprocritcal to assume these YouTube personalities are completely genuine, but hey, they're all adults, right? Monetizing your hobbies for the sake of fame? While not all the teens attending claim to be looking to become a "brand," it seems like a dangerous, interpersonal game to play: counting on the acceptance of others to define yourself, then proceeding to sell the same personality. Fame is a different ballgame, of course. 

For a mature, young adult, I don’t see a real problem with this type of camp. In fact, I think it's a great idea if they're looking to make a living via social media. Children and young teens are of a different nature-being in the midst maturing in more than the physical way. Communication is very important, especially for children. It's concerning that millennials are growing accustomed to the safety social media provides when it comes to communication, and identity. Watch a little of the MTV show Catfish if you don't think so. “As a species we are very highly attuned to reading social cues,” says clinical psychologist Dr. Catherine Steiner-Adair. Face-to-face relationships provide us with the proper means to be successful in building and maintaining social skills. 

The Child Mind Institute says,

When friendship is conducted online and through texts . . . it’s easier to keep your guard up when you’re texting, so less is at stake. You aren’t hearing or seeing the effect that your words are having on the other person. Because the conversation isn’t happening in real time, each party can take more time to consider a response. No wonder kids say calling someone on the phone is “too intense”—it requires more direct communication, and if you aren’t used to that it may well feel scary.

Learning how to make friends is a major part of growing up, and friendship requires a certain amount of risk-taking. . . it takes courage to be honest about your feelings and then hear what the other person has to say. Learning to effectively cross these bridges is part of what makes friendship fun and exciting, and also scary.

So, maybe I’m a little skeptical of such a “scheme.” That’s okay. I’ve grown accustom to not sharing popular-opinion, though I’ll admit to be intimidated when making phone calls. But, “dozens” have signed up for this year’s session (July 8-17)! It’ll be held at the University of La Verne in California, if you’re interested. Catch "A Lesson in Branding" below-where you'll be absolutely confused as to what's going on.



Final thought: with intent to promote social media careers, I'd say SocialStar Creator Camp could put a little more effort into the YouTube channel with two measly uploads and zero subscribers. 

Sources: